A dragonfly, rendered in a luminous tableau, gracefully hovers above the water, its wings a striking blend of teal and orange, reminiscent of both the Oriental Pearl and Berlin TV Towers. This artistic representation, which echoes the neon glow and symmetrical aesthetic of Maxfield Parrish, merges with the dark, reflective surface below it, capturing the essence of city lights twinkling in the nocturnal waters. The neon lines and art deco elements infuse the scene with a retro-future vibe, further accentuated by the subtle infusion of Moebius’s influence and the stark, mesmerizing contrasts reminiscent of Beksinski’s style. Completing this visual feast, which aligns closely with the MidJourney Style index, are the subtle hints of Kawase Hasui’s influence through its minimalistic approach and vibrant, neon-like lighting, crafting a serene yet electrifying homage to both the natural and the crafted environments.