The illustration captures the majestic essence of Milan’s Cathedral through a series of minimalist designs. Combining the techniques of woodcut and risograph printing, the artwork presents the cathedral with stark red and beige tones, creating a striking visual contrast. The use of gradient backgrounds enhances the simplicity of the design, reminiscent of works by Ryo Takemasa and Tatsuro Kiuchi. Each interpretation, whether it emphasizes the silhouette with red on a cream background or presents a more graphic, high-contrast version in black ink against an orange backdrop, employs minimalism to focus on the architectural outline of the cathedral. The piece further invokes elegance through a grainy, posterized noise effect, giving it texture and depth. This approach, similar to the styles seen in M.C. Escher’s works, fosters a dialogue between the traditional and the contemporary, making it a compelling showcase suitable for a step-by-step guide to MidJourney in exploring art techniques and interpretations.