In a display of avant-garde photography, a motorcycle scene unfolds with a touch of surrealism ideal for studying some of the best style reference techniques in MidJourney. The image portrays a motorcyclist, seemingly wrapped in plastic, creating an air of enigma as they glide at high speed on a sleek, aggressively designed bike. This rider, almost floating above the motorcycle, is encapsulated in an inflatable suit, adding a bizarre yet fascinating layer to the composition. They maneuver smoothly on asphalt within the confines of a contemporary all-glass building, illuminating the modern, urban setting. The scene is captured with a hyperrealistic quality reminiscent of a cinematic frame influenced by the visual narratives of Gregory Crewdson, Wes Anderson, and Wong Kar-wai, using a palette of light pink, light gray, and black tones. Additionally, the effect of motion blur adds dynamism to the picture, emphasizing movement while capturing reflective details on items like window panes and the helmet’s visor, showcasing an exemplary blend of form, style, and intrigue.